Related Paintings of unknow artist :. | Gustaf Vasa wide ars absolutely | During the Thirteenth Century | Arab or Arabic people and life. Orientalism oil paintings 391 | European city landscape, street landsacpe, construction, frontstore, building and architecture.019 | jean eric rehn |
Related Artists:
Gerrit Dou
1613-1675 Dutch Gerard Dou Locations Dutch genre and portrait painter of Leiden. The son of a glass painter, he was apprenticed to an engraver and worked from 1628 to 1631 in the studio of the young Rembrandt. Although he occasionally borrowed Rembrandt themes, he was more detailed and meticulous in his execution. His scenes of domestic, middle-class life were tremendously popular and often imitated. Among his most famous works are Evening Light (Rijks Mus.), Young Man (The Hague), The Cook (Louvre), and a self-portrait (Metropolitan Mus.).
Edmund Tull
(1870 - 1911) was a Hungarian artist born at Szekesfeherver. He was educated at Budapest, Milan, and Paris, being in the last-named city a pupil of J. P. Laurens and of B. Constant. His first work, "The Cathedral of Notre Dame," attracted attention at the exposition in Budapest in 1896, while his etchings are especially valued in London and Vienna. His best-known works are: "Peasant Mowing," "A Lane in Dort," and "The Island of Capri," in the historical art museum of Budapest; and "The Smithy," owned by Archduchess Isabella.
FERNANDES, Vasco
Portuguese painter (active 1500-1542 in Viseu) Portuguese painter. He was the leading painter of northern Portugal during the first half of the 16th century, and it is probable that he received his training abroad. Fernandes is the best-documented Portuguese artist of the period; there are nearly 100 works attributed to him, some of which are securely documented and record his activity either alone or in collaboration with the Viseu painter GASPAR VAZ. Fernandes's most important work was carried out in Lamego and in Viseu, where the term Gr?o ('Great') used in praise of him is first recorded (Ribeiro Botelho Pereira). In 1753 the Director of the Dresden Gallery, Pietro Guarienti, first used the epithet when he referred to Fernandes by the name of Gran Vasco. The many myths about the painter and his work developed from this date and were not clarified until 1846